Backwards Beats Podcast

Episode 14: Damaged by Black Flag

In this episode of Backwards Beats, Dan and Carl tackle Black Flag's ferocious 1981 debut, Damaged — an album that defines hardcore punk with raw energy, cathartic aggression, and DIY ethos. Coming in at #487 on Rolling Stone's list, Damaged is an iconic record that helped shape the sound and spirit of American punk. The guys also kick things off by recapping their weekend trip to the GroundUP Music Festival in Miami and all the incredible artists they encountered.
Key Points
🎶 Punk Iconography: Damaged is discussed as a landmark hardcore punk record with a gritty visual and sonic aesthetic — from its cover art to its aggressive sound and anti-establishment themes.
🎤 Band Origins & Lineup Shifts: Formed in 1976 as Panic, Black Flag underwent several member changes before Damaged, with early members like Keith Morris (later of Circle Jerks) and the arrival of Henry Rollins.
🧠 Greg Ginn & DIY Spirit: Founding guitarist Greg Ginn created SST Records to independently release Black Flag’s music, setting a precedent for punk labels and the underground music scene.
📚 Cultural Commentary: The band’s art and lyrics often critique societal norms, domestic life, and conformity — giving Damaged a raw, confrontational stance.
🥁 Musical Style: Fast, furious, and over in 35 minutes — the album exemplifies hardcore punk: stripped-down production, relentless tempo, and emotional outbursts.
🌀 Descent into Madness: From the rebellious intro "Rise Above," the arc of the album slowly becomes darker and more self-absorbed until the traumatic finale of "Damaged I"
🏝️ GroundUP Music Festival Recap: Carl and Dan share highlights from the Miami festival hosted by Snarky Puppy, including performances by Eric Gales, Bill Frisell, John Scofield, and more.
Music Referenced
Snarky Poppy
Eric Gales
Bill Fruzel
John Scofield
Madison McFarron
Never mind the bollocks by Sex Pistols
Misfits
Hüsker Dü
Sonic Youth
Minutemen
Circle Jerks
Bon Jovi
Fugazi
Minor Threat
True colors by Cindy Lauper
Ornette Coleman
Ed Sheeran
Aja by Steely Dan
Bodhisattva by Steely Dan
Fresh Fruit for Rotting Vegetables by Dead Kennedys
In God We Trust by Dead Kennedys
Ill in the Head by Dead Kennedys
Nazi Punks Fuck Off by Dead Kennedys
Fits Like a Glove by Kiss
Seek & Destroy by Metallica
Rage Against the Machine
Fuck the Police by NWA
The Doors
The Urge
Urge Overkill
Superman by Goldfinger
Crucial Bar-B-Q by Murphy's Law
Manic Depression by King's X
Manic Depression by Jimi Hendrix
Join us next week when we discuss album 486, Continuum by John Mayer

Episode 13: The Stooges by the Stooges

This week, Dan and Carl dive into the raw and rebellious energy of The Stooges’ self-titled 1969 debut. A proto-punk classic that laid the foundation for punk and garage rock, this album is as chaotic as it is influential. From Iggy Pop’s unhinged vocals to Ron Asheton’s sludgy guitar riffs, we break down why this record was both ahead of its time and completely out of control.
Key Points
Background & Context – The late 60s rock scene, the rise of punk influences, and how The Stooges fit into the era.
Album Breakdown – Track-by-track discussion, including the hypnotic repetition of We Will Fall and the raw power of I Wanna Be Your Dog.
Production & Sound – John Cale’s role in shaping the album’s sound and how it differs from later Stooges releases.
Legacy & Influence – How The Stooges paved the way for punk, influencing everyone from the Sex Pistols to Nirvana.
Would You Hit It? – Do we think this album still holds up, or is it just a messy relic of the past?
Music Referenced
The Stooges by The Stooges
Fun House by The Stooges
Raw Power by The Stooges
Iggy Pop
The Doors by The Doors
Slipknot
Marilyn Manson
Velvet Underground
Jimi Hendrix
New York Dolls
Ozzy Osbourne
Chapell Roan
Rihanna
Rolling Stones
Youth and Young Manhood by Kings of Leon
Here, My Dear by Marvin Gaye
Bonnie Raitt
Never Mind the Bollocks by Sex Pistols
Ramones
Kurt Cobain
Little Richard
Metallica
The Beatles
I Kill Children by Dead Kennedys
Mother's Milk by Red Hot Chili Peppers
Suicidal Tendencies
Drunk by Thunder Cat
 
Contact Us
Share Your Thoughts: Email us at backwardsbeatspodcast@gmail.com
Join us next week when we cover album 487: Damaged by Black Flag

Episode 12: Back to Mono by Phil Spector

In this episode, Dan and Carl dive into Back to Mono (1958-1969), a massive 73-song compilation produced by Phil Spector. The duo discusses the challenges of covering such an extensive box set, the impact of the "Wall of Sound" production style, and how Spector’s legacy complicates the album’s place on Rolling Stone’s 500 Greatest Albums of All Time. Instead of focusing on Spector, they highlight the incredible artists featured on this compilation, including The Ronettes, The Righteous Brothers, and Darlene Love.
Key Points
The Wall of Sound – How Phil Spector’s signature production style shaped 1960s pop music and why it works (or doesn’t) for certain songs.
Spector’s Legacy – The controversy surrounding Phil Spector and how Rolling Stone drastically changed the album’s ranking over the years.
Artist Highlights – Deep dives into standout performances from The Crystals, The Righteous Brothers, Tina Turner, and more.
Unchained Melody Stands Above – Why Unchained Melody by The Righteous Brothers remains an all-time classic and one of the best vocal performances ever recorded.
Obscure Gems & Oddities – Hidden gems like Pretty Little Angel Eyes by Curtis Lee and unusual tracks like He Hit Me (And It Felt Like a Kiss) by The Crystals.
Phil Spector’s Christmas Influence – A discussion of how A Christmas Gift for You shaped holiday music, featuring Christmas (Baby Please Come Home) by Darlene Love.
Too Much of a Good Thing? – Does this compilation truly belong on Rolling Stone’s 500 Greatest Albums list, or is it a historical artifact?
Music Referenced
With the Beatles by The Beatles
Hold Me Tight by The Beatles
Pet Sounds by The Beach Boys
A Christmas Gift for You by Bing Crosby
Michael Bublé
Elvis Presley
Frankie Valli
Mexico by James Taylor
Have a Good Time by Paul Simon
Heartbreaker by Pat Benatar
Love Gun by Kiss
Then She Kissed Me by Kiss
Then She Kissed Me by Gary Glitter
I Will Always Love You by Whitney Houston
Christmas (Baby Please Come Home) by U2
Take Me Home Tonight by Eddie Money
Under the Boardwalk by The Drifters
Save the Last Dance for Me by The Drifters
Grease Soundtrack (The Motion Picture Soundtrack) by Shanana
Grease Soundtrack (The Motion Picture Soundtrack) by Olivia Newton-John
Happy Xmas (War Is Over) by John Lennon
Wonderful Christmastime by Paul McCartney
Last Christmas by Wham!
Join us next week when we cover album 488, The Stooges, by The Stooges

Episode 11: Heart Like A Wheel by Linda Ronstadt

In this episode of Backwards Beats, Dan and Carl take a deep dive into Heart Like a Wheel, Linda Ronstadt’s 1974 breakthrough album. They explore Ronstadt’s immense vocal talent, her impact on the Southern California music scene, and her impressive ability to cross musical genres. With a mix of country, rock, and pop influences, Heart Like a Wheel cemented Ronstadt’s place as a powerhouse in the music industry. Dan and Carl also discuss the album’s historical significance, standout tracks, and how it stacks up against other classic records.
Key Points
Linda Ronstadt’s Background: Born in 1946 in Tucson, Arizona, Ronstadt grew up surrounded by music, heavily influenced by her father’s love of traditional Mexican songs.
Formation of The Eagles: Ronstadt played a key role in the early careers of Don Henley, Glenn Frey, and other Eagles members, as they were originally part of her backing band.
Covers Done Right: Heart Like a Wheel is an album of covers that showcases Ronstadt’s ability to reinterpret and elevate existing material with stunning vocal precision.
Biggest Hits:
You're No Good – A dark and moody classic that kicks off the album with a bang.
When Will I Be Loved – A high-energy Everly Brothers cover that brings a needed boost to the second half of the album.
It Doesn't Matter Anymore – A heartfelt take on the Buddy Holly classic.
Willin’ – A beautiful, hypnotic rendition of the Little Feat song, rumored to be tied to a personal connection with Lowell George.
Notable Musicians and Contributions:
Background vocals by Sissy Houston (mother of Whitney Houston) on Dark End of the Street.
Instrumental features by Sneaky Pete Kleinow (pedal steel), Andrew Gold (piano, guitar), and Emmylou Harris (harmonies on I Can’t Help It If I’m Still in Love with You).
Album produced by Peter Asher, also known for his work with James Taylor and Bonnie Raitt.
Production Quality: A mostly clean and warm production, though some arrangements (such as the title track) stand out stylistically from the rest of the album.
Final Verdict: Heart Like a Wheel is an incredibly listenable album, full of fantastic musicianship and timeless vocal performances. Dan and Carl both agree: They would hit it!
Music Referenced
The Eagles
Van Halen II by Van Halen
You're No Good by Van Halen
It Doesn't Matter Anymore by Buddy Holly
It Doesn't Matter Anymore by Paul Anka
When Will I Be Loved by The Everly Brothers
Willin' by Little Feat
Willin' by Lowell George
I Can't Help It (If I'm Still in Love with You) by Hank Williams
You Can Close Your Eyes by James Taylor
Frank Zappa
Sissy Houston
Whitney Houston
Andrew Gold
Emmylou Harris
Peter Asher
Bonnie Raitt
Thanks for tuning in! Be sure to subscribe and leave a review on your favorite podcast platform. Join us next week as we take on Back to Mono (1958-1969) by Phil Spector and Various Artists!

Episode 10: Harry's House by Harry Styles

In this episode of Backwards Beats, Dan and Carl tackle Harry Styles’ 2022 album Harry’s House. But not before they confess to accidentally reviewing the wrong Harry Styles album first — because why make it easy? Along the way, they unpack Harry’s House track by track, dive into Harry’s evolution from One Direction heartthrob to solo superstar, and discover just how many legends quietly contributed to this pop powerhouse.
Key Points
The Great Mix-Up: Dan and Carl originally reviewed Fine Line by mistake — that episode’s coming later as bonus content.
About the Album: Released in 2022, Harry’s House blends synth-pop, 80s callbacks, and modern production across 13 tracks.
Production Powerhouse: Produced by Kid Harpoon, Tyler Johnson, and Samuel Witte, with session players like Pino Palladino and surprise guitar work from John Mayer.
Standout Tracks: From the quirky funk of Music for a Sushi Restaurant to the emotional gut punch of Matilda, Dan and Carl debate their favorites — and agree surprisingly often.
80s Influence: Expect callbacks to Prince, The Cure, Todd Rundgren, and even a dash of Daft Punk.
The Tuna Incident: Carl’s infamous pre-gig sushi disaster resurfaces, because raw fish always comes back to haunt you.
Music Referenced
Luck of the Draw by Bonnie Raitt
Fleetwood Mac
Music by 311
Homebrew by 311
311 (The Blue Album) by 311
Down by 311
All Mixed Up by 311
Stop This Train by John Mayer
Shania Twain
I Can't Go for That by Daryl Hall & John Oates
Take Me to the River by Talking Heads
Werewolves of London by Warren Zevon
All Summer Long by Kid Rock
Brothers in Arms by Dire Straits
David Crosby
Graham Nash
Family Dinner - Volume 1 by Snarky Puppy
Family Dinner - Volume 2 by Snarky Puppy
Something by Snarky Puppy
Lalah Hathaway
On the Road Again by Willie Nelson
Turn the Page by Bob Seger
Turn the Page by Metallica
Herbie Hancock
Prelude to a Kiss by Duke Ellington
Walking on Broken Glass by Annie Lennox
Here Comes the Rain Again by The Eurythmics
Sting
Jacob Collier
Join us next week where we cover the album Heart Like a Wheel by Linda Ronstadt

Episode 9: Nick of Time by Bonnie Raitt

In this episode of Backwards Beats, Dan and Carl dive into Bonnie Raitt’s Nick of Time, a landmark album that was her breakthrough after years in the industry. They explore the album’s unique blend of blues, country, folk, and soft rock, discuss the impact of its production, and highlight some of its most compelling musical moments. Along the way, they touch on Bonnie Raitt’s career resilience, her Scottish ancestry (including a chilling ghost story), and her influence on modern Americana.
Key Points
Bonnie Raitt’s Career Arc – How *Nick of Time marked her mainstream breakthrough after a decade of persistence.
*Production & Sound – The album features three distinct production styles, from polished soft rock to raw, intimate blues.
Musical Deep Dives* – Dan breaks down the harmonic sophistication of the title track and how the arrangement reinforces the song’s storytelling.
The Mystery of the 500 List – Dan and Carl debate why Nick of Time made Rolling Stone’s 500 Greatest Albums list, while Luck of the Draw, her more commercially successful follow-up, did not.
Debora Harry singing Duke Ellington's Prelude to a Kiss
Annie Lennox singing Cole Porter's Every Time We Say Goodbye
Music Referenced
Luck of the Draw by Bonnie Raitt
Fleetwood Mac
Music by 311
Homebrew by 311
311 (The Blue Album) by 311
Down by 311
All Mixed Up by 311
Stop This Train by John Mayer
Shania Twain
I Can't Go for That by Daryl Hall & John Oates
Take Me to the River by Talking Heads
Werewolves of London by Warren Zevon
All Summer Long by Kid Rock
Brothers in Arms by Dire Straits
David Crosby
Graham Nash
Family Dinner - Volume 1 by Snarky Puppy
Family Dinner - Volume 2 by Snarky Puppy
Something by Snarky Puppy
Lalah Hathaway
On the Road Again by Willie Nelson
Turn the Page by Bob Seger
Turn the Page by Metallica
Herbie Hancock
Prelude to a Kiss by Duke Ellington
Walking on Broken Glass by Annie Lennox
Here Comes the Rain Again by The Eurythmics
Sting
Jacob Collier
Join Us Next Week
Join us next week when we discuss Harry's House by Harry Styles.

Episode 8: Here, My Dear by Marvin Gaye

In this episode, Dan and Carl take on Here, My Dear, Marvin Gaye’s 1978 album that Rolling Stone ranks at #492 on its 500 Greatest Albums of All Time list. This record, infamous for being written as part of Gaye’s divorce settlement, is one of the most personal and emotionally raw works in music history. But does that make it good? The guys grapple with their conflicted feelings, breaking down the album’s unique concept, unfiltered lyrics, and unconventional production.
Key Points
Marvin Gaye’s Legacy – A look at Gaye’s legendary career and why this album stands apart from his greatest hits.
A Divorce Album Like No Other – How Here, My Dear was written to pay off Gaye’s alimony and became an intensely personal diary of heartbreak.
Musical Experimentation or Mess? – A deep dive into the album’s unconventional song structures, meandering melodies, and unusual production choices.
Rolling Stone, Are You Sure? – Why this album’s placement on the 500 Greatest Albums list is questionable.
 
Music Referenced
Let's Get It On by Marvin Gaye
Sexual Healing by Marvin Gaye
Ain't No Mountain High Enough by Marvin Gaye
I Want You by Marvin Gaye
Soon I'll Be Loving You Again by Marvin Gaye
Come Live With Me Angel by Marvin Gaye
Distant Lover by Marvin Gaye
Tammi Terrell
Face Value by Phil Collins
In the Air Tonight by Phil Collins
The Police
Stop Loving Me, Stop Loving You by Daryl Hall
Joey Dosik
Red Hot Chili Peppers
Jack Conti
Ryan Lerman
Scary Pockets
Vulfpeck
Jimi Hendrix
Move On Up by Curtis Mayfield
 
Come back next week when we dig into Nick Of Time by Bonnie Raitt.

Episode 7: Presenting the Ronettes

In this episode of Backwards Beats, Dan and Carl take a deep dive into Presenting the Fabulous Ronettes Featuring Veronica, the only album released by the legendary girl group The Ronettes. From Phil Spector’s infamous Wall of Sound to the tragic personal struggles of Ronnie Spector, the duo explores the album’s history, production, and cultural impact. Along the way, they discuss its influence on artists like Bruce Springsteen, Amy Winehouse, and Brian Wilson, and share their candid opinions on whether this album is a true classic or a relic of its time.
Key Points
The Ronettes' Origins: A family act turned pop sensation, featuring sisters Veronica (Ronnie) and Estelle Bennett, along with cousin Nedra Talley.
Phil Spector’s Influence: The album’s signature Wall of Sound production—how it shaped the music and why it might not hold up today.
Behind the Scenes: The dark reality of Phil Spector’s control over Ronnie Spector, from their relationship to legal battles over royalties.
Iconic Tracks:
Be My Baby – The definitive Ronettes song, massively influential, and a personal obsession of Brian Wilson.
Baby, I Love You – Featuring background vocals from none other than Sonny & Cher.
Chapel of Love – A song most people recognize, though it was ultimately a bigger hit for The Dixie Cups.
 
 
Music Referenced
The Rolling Stones
Let It Be by The Beatles
The Long and Winding Road by The Beatles
Rainbow Bridge by Jimi Hendrix
Earth Blues by Jimi Hendrix-
Born to Run by Bruce Springsteen
Dancing in the Dark by Bruce Springsteen
Back to Black by Amy Winehouse
Don't Worry Baby by Brian Wilson
What I'd Say by Ray Charles- The Beach Boys
You've Lost That Lovin' Feelin' by The Righteous Brothers
Ike & Tina Turner
My Sweet Lord by George Harrison
Darlene Love
Dion
Frankie Valli
Chapel of Love by The Dixie Cups
Take Me Home Tonight by Eddie Money
Cher
I've Got You Babe by Sonny & Cher
Runaway by Del Shannon
Just Like Honey by The Jesus and Mary Chain
All Born Screaming by Saint Vincent
Roxanne by The Police
 
Tune in next week when we discuss Here my Dear by Marvin Gaye

Episode 6: II by Boyz II Men

 
Welcome to Episode 6 of the Backwards Beats Podcast! This week, Dan and Carl dive into II by Boyz II Men, an R&B masterpiece from the 90s. They explore the album's highlights, discuss its nostalgic impact, and debate whether it holds up today. From middle school dance memories to deep dives into harmonies and production quirks, this episode is a must-listen for fans of vocal perfection and 90s vibes.
Key Points
Album Background:II is Boyz II Men’s sophomore album, released in 1994, featuring hits like "I’ll Make Love to You" and "On Bended Knee." It was a commercial juggernaut, achieving double diamond status with over 20 million copies sold.
Production Notes:The album's production showcases polished brilliance and some dated choices, blending hip-hop influences with classic R&B harmonies. Babyface's involvement shines on standout tracks like "Water Runs Dry."
Key Tracks:
Thank You: A high-energy opener showcasing their vocal prowess.
Water Runs Dry: The unanimous favorite, a beautifully orchestrated ballad with live strings and a timeless message.
Yesterday: An acapella rendition of The Beatles’ classic, displaying their raw vocal talent.
Khalil: A heartfelt interlude marking a thematic turning point in the album.
Critical Reflections:While II boasts undeniable vocal excellence, some tracks, like "All Around the World" and "Trying Times," falter due to overproduction or repetitiveness. The album struggles to transcend its era in certain moments but remains essential for its highlights.
Music Referenced
Michael Bivins
Poison by Bell Biv DeVoe
New Edition
Still Loving You by Scorpions
Wind of Change by Scorpions
Stairway to Heaven by Led Zeppelin
My Lovin' (You're Never Gonna Get It) by En Vogue
Purple Rain by Prince
The Symbol Album by Prince
Darling Nikki by Prince
Songs About Jane by Maroon 5
This Is How We Do It by Montell Jordan
Return of the Mack by Mark Morrison
Ready or Not by The Fugees
Brandy
Mýa
Nobody by Keith Sweat
Candy Rain by Soul for Real
Hall & Oates
Yesterday by The Beatles
Young Americans by David Bowie
I've Been Everywhere by Johnny Cash
Kissin' Time by Bobby Rydell
Kissin' Time by Kiss
I Wanna Dance With Somebody by Whitney Houston
Barry White
LL Cool J
Believe by Cher
Elton John
Dua Lipa
T-Pain
Carl Orff
Concrete Gold by Foo Fighters
Join us next week when we dig into Presenting The Fabulous Ronnettes Featuring Veronica
 
Hosts: Carl Pfanstiehl and Dan Woodard
Recorded at: Thought Shack Studio
Release Date: February 11, 2025
Rank: 496

Episode 5: Shakira - Dónde Están Los Ladrones

Dan and Carl explore Shakira's groundbreaking 1998 album "Dónde Están los Ladrones?" in this episode. This record, often overshadowed by her later global hits, showcases a raw, authentic side of Shakira that marries Latin American roots with rock influences and poignant storytelling. Join us as we unpack the artistry behind an album that solidified her as a global icon and continues to resonate decades later.
📀 Album Highlights
Breakthrough Roots: While not Shakira’s commercial debut, this album represents a pivotal moment in her career. It propelled her from Latin America’s rising star to a globally recognized artist, blending Spanish-language lyrics with rock-driven production.
Authentic Voice: Unlike the overproduced pop personas often marketed to Western audiences, this album showcases Shakira’s vocal prowess, musical versatility, and cultural authenticity. No English lyrics here—just pure storytelling and powerful melodies.
Musical Influences: The album draws on everything from 90s alternative rock to traditional Latin rhythms, with nods to artists like Alanis Morissette and even subtle Shania Twain vibes in its arrangements.
Instrumentation and Production: Expect rich, analog sounds—real instruments, warm amplifiers, and even a vintage German microphone lending texture to the production. Shakira’s live band adds depth rarely seen in late-90s pop.
🌟 Tracks to Note
"Ciega Soromuda": A bold opener with mariachi-inspired horns transitioning into a danceable rhythm, setting the tone for the album’s dynamic blend of genres.
"Inevitable": One of the album’s standout ballads, with nearly 400 million Spotify streams, blending heartfelt lyrics with lush instrumentation, including a B3 organ.
"Octavo Día": A grunge-inspired track with a thought-provoking narrative about God’s disillusionment with humanity—a deep cut that showcases Shakira’s lyrical boldness. Is there a connection between this song and Forgiven by Alanis Morrisette?
💡 Cultural Impact
Shakira’s unique background—Colombian roots with Lebanese heritage—shines through in this album, offering a global perspective. The raw passion and unfiltered emotion of Dónde Están los Ladrones? laid the foundation for her later success, bridging the gap between Latin America and the global stage.
🕵️ Fun Facts
Album Title: Translating to "Where Are the Thieves?", the title reportedly stems from an incident where Shakira’s suitcase, containing song lyrics, was stolen.
MTV Unplugged: The album's songs gained a new dimension through Shakira’s MTV Unplugged performance in 2000, emphasizing her musical versatility and vocal talent.
Streaming Numbers: Tracks from this album have accumulated billions of plays, a testament to its lasting impact.
Live Performance of Octavo Día: Shakira's live performace in 2002 with George W. Bush and Saddam Hussein puppets.
🎵 Music Referenced
Jagged Little Pill by Alanis Morissette
Forgiven by Alanis Morissette
Ironic by Alanis Morissette
Tubthumping by Chumbawamba
High and Dry by Radiohead
The Cure
Savage Garden
Gordon by Barenaked Ladies
Natalie Merchant
Jason Mraz
Closing Time by Semisonic
These Dreams by Heart
Open Arms by Journey
Whiter Shade of Pale by Procol Harum
Wicked Game by Chris Isaac
Sexyback by Justin Timberlake
🎧 Why It’s On the List
This album is not just a reflection of Shakira’s artistry but a time capsule of late-90s Latin pop. It bridges cultural authenticity and mainstream appeal, making it a deserving entry on Rolling Stone's 500 Greatest Albums of All Time.
🔗 Connect with Us
We’d love to hear your thoughts on this episode!- 📧 Email: backwardsbeatspodcast@gmail.com- 📱 Social: @backwardbeatspodcast
Please tune in next week as we dive into the album II by Boys II Men
 
*Hosts: Carl Pfanstiehl and Dan Woodard
*Recorded at: Thought Shack Studio
*Release Date: February 4, 2025
Rank: 497